Dina Vass is a one-woman powerhouse.
Few UK dance acts are as spirited and accomplished as Dina. Somehow, you know that she could chew you up and spit you out albeit in a cool and sassy, soulful-diva kind of way - just as confidently as she uses her tremendous vocal strengths to enchant and transport us to the centre of some faraway, house music ether.
There is nothing, it seems, that Dina can’t do. She sings her own music and lyrics, produces, and still finds the time to be her own manager.
It all began at the tender age of three when Dina became fascinated by her older brother№s record collection. "He used to DJ years ago when I was really young," she explains. "He listened to Earth, Wind And Fire and George Benson and I used to soak it all up and dance about. After he left home, I became obsessed with listening to music, sneaking off with tapes and tuning into pirate radio stations during the early hours of the morning."
Only a few years later, the young girl from north London’s Greek community was able to take her passion one-step further. "When I was seven, my parents got a double keyboard organ and it was like paradise," she remembers. "I zoomed in on it."
The melodies that were already circling around in her head came to life when she wrote her first song at 11: "I had no one to sing it, so I had a go and kept on writing. I always knew I wanted to take it further. I wanted to be up onstage making loads of different music."
Dina recorded the track at a friend’s studio and it was pressed and released without any industry involvement. "I was recording wherever possible, trading session time for backing vocals," she recalls. "My family thought it was just a hobby, but I took it to the extreme."
After leaving home at 15, Dina took up dancing to make ends meet. "I used to lie about my age," she confesses. "I worked at the Equinox in the Empire, Leicester Square. I choreographed loads of routines for myself, and once they looked professional, I auditioned and totally blagged my way in."
She went on to perform at clubs all over the capital and still insists that showmanship is vital: "I don’t like to be put in a box. I like to do what I feel, and that’s the same with dancing. It’s all about the feelgood factor. When you love what you are doing, you want to share it with everyone. It’s everybody’s gig."
It was this kind of self-assurance that enabled Dina to break into dance music circles. Despite playing PAs all over the country, she wasn’t about to sit on her laurels and wait for things to happen. Instead, she set off for Ayia Napa with 100 copies of a single that she cut herself. There, during the daytimes, she adopted the persona of "Dina’s agent", Nadine, and successfully convinced the resort’s promoters to let her appear.
"I was diplomatic but firm so they didn’t think I was a fly-by-night," she reveals. "Then I’d come back the same evening with a different hairstyle and outfit. Some of them cottoned on but thought it was funny. It really worked in my favour because they helped me out even more."
On her return, DJ Luck and MC Neat were playing the single, "Don’t Wanna Lose You", and it wasn’t long before she signed her first deal, with Honey Beat Records. Since then, she’s been picked up by Go Beat! and is set to make a major impact with her favourite "soulful and funky-sounding house", as well as softer ballads, US garage and hard house.
Dina has an astonishing eight albums worth of material written and waiting to go, but it’s the soul-soaked, ethnic melody of "The Love I Have For You", recorded with production team Full Intention, that has become one of the difining moments of Funky House
Beyond music, Dina has a passion for fast cars and motorbikes, and she’s been known to do a bit of stock-car racing. In her youth, she was an accomplished ice hockey skater, and created her own trend by taking break-dancing to ice rinks all over London.
"I love anything related to speed and I love to aim for the impossible," she grins. "Life is too short, so you’ve got to aim high and I do like to go for the total extreme. If you are hungry enough, it’s got to be worth more than life itself.

21.05.2011, 04:54

Dina Vass & Whipped Creem - Now I'm Free [2007]

Ремиксы от Кери во флаке выглядят терпимо,при конверте в мп3 картинка заметно ухудшилась,тем не менее такого спектра у меня ещё не было. Мне весь релиз нравится и выбрать лучшую версию затрудняюсь. Слушайте,выбирайте,наслождайтесь))

Информация

Dina Vass is a one-woman powerhouse.
Few UK dance acts are as spirited and accomplished as Dina. Somehow, you know that she could chew you up and spit you out albeit in a cool and sassy, soulful-diva kind of way - just as confidently as she uses her tremendous vocal strengths to enchant and transport us to the centre of some faraway, house music ether.
There is nothing, it seems, that Dina can’t do. She sings her own music and lyrics, produces, and still finds the time to be her own manager.
It all began at the tender age of three when Dina became fascinated by her older brother№s record collection. "He used to DJ years ago when I was really young," she explains. "He listened to Earth, Wind And Fire and George Benson and I used to soak it all up and dance about. After he left home, I became obsessed with listening to music, sneaking off with tapes and tuning into pirate radio stations during the early hours of the morning."
Only a few years later, the young girl from north London’s Greek community was able to take her passion one-step further. "When I was seven, my parents got a double keyboard organ and it was like paradise," she remembers. "I zoomed in on it."
The melodies that were already circling around in her head came to life when she wrote her first song at 11: "I had no one to sing it, so I had a go and kept on writing. I always knew I wanted to take it further. I wanted to be up onstage making loads of different music."
Dina recorded the track at a friend’s studio and it was pressed and released without any industry involvement. "I was recording wherever possible, trading session time for backing vocals," she recalls. "My family thought it was just a hobby, but I took it to the extreme."
After leaving home at 15, Dina took up dancing to make ends meet. "I used to lie about my age," she confesses. "I worked at the Equinox in the Empire, Leicester Square. I choreographed loads of routines for myself, and once they looked professional, I auditioned and totally blagged my way in."
She went on to perform at clubs all over the capital and still insists that showmanship is vital: "I don’t like to be put in a box. I like to do what I feel, and that’s the same with dancing. It’s all about the feelgood factor. When you love what you are doing, you want to share it with everyone. It’s everybody’s gig."
It was this kind of self-assurance that enabled Dina to break into dance music circles. Despite playing PAs all over the country, she wasn’t about to sit on her laurels and wait for things to happen. Instead, she set off for Ayia Napa with 100 copies of a single that she cut herself. There, during the daytimes, she adopted the persona of "Dina’s agent", Nadine, and successfully convinced the resort’s promoters to let her appear.
"I was diplomatic but firm so they didn’t think I was a fly-by-night," she reveals. "Then I’d come back the same evening with a different hairstyle and outfit. Some of them cottoned on but thought it was funny. It really worked in my favour because they helped me out even more."
On her return, DJ Luck and MC Neat were playing the single, "Don’t Wanna Lose You", and it wasn’t long before she signed her first deal, with Honey Beat Records. Since then, she’s been picked up by Go Beat! and is set to make a major impact with her favourite "soulful and funky-sounding house", as well as softer ballads, US garage and hard house.
Dina has an astonishing eight albums worth of material written and waiting to go, but it’s the soul-soaked, ethnic melody of "The Love I Have For You", recorded with production team Full Intention, that has become one of the difining moments of Funky House
Beyond music, Dina has a passion for fast cars and motorbikes, and she’s been known to do a bit of stock-car racing. In her youth, she was an accomplished ice hockey skater, and created her own trend by taking break-dancing to ice rinks all over London.
"I love anything related to speed and I love to aim for the impossible," she grins. "Life is too short, so you’ve got to aim high and I do like to go for the total extreme. If you are hungry enough, it’s got to be worth more than life itself.

Label: Egoiste Germany
Catalog#: EGO 28D
Released: June 2007
Style: Funky/Club House
Formats: 320kbs MP3 / WAV

Tracklist:
1 Now I'm Free (Whipped Creem Extended Vocal Mix) 7:41
2 Now I'm Free (Whipped Creem Dub Mix) 6:59
3 Now I'm Free (Whipped Creem Bagface Mix) 7:18
4 Now I'm Free (Major Boys Vocal Mix) 8:16
5 Now I'm Free (Major Boys Dub Mix) 8:16
6 Now I'm Free (Ian Carey Vocal Mix) 8:14
7 Now I'm Free (Ian Carey Dub Mix) 6:57
8 Now I'm Free (Dina Vass & Mike Kenny Mix) 5:42

21.05.2011, 10:33

Whipped Creem Dub Mix лучший и он проходил:
http://freshrecords.ru/showthread.ph...hlight=Whipped

Трек был куплен. Спектры идентичны.

По желанию можешь вставить ссылку на мою тему,
но в любом случае убери из вложений данную версию.

21.05.2011, 10:57

а я за Яна Кери))))

21.05.2011, 12:13

Мой любимый трек от Дины.

Благодаря ее чудесному вокалу, все версии получились вкусными.

21.05.2011, 13:13

Какая же раньше потрясающая музыка была!

21.05.2011, 15:22

весёлые летние треки.
но не более спасибо.

21.05.2011, 15:41

Цитата:

Сообщение от Cobalt


	Whipped Creem Dub Mix лучший и он проходил: http://freshrecords.ru/showthread.ph...hlight=Whipped Трек был куплен. Спектры идентичны. По желанию можешь вставить ссылку на мою тему, но в любом случае убери из вложений данную версию.

так вроде же был уговор что если выкладываешь весь релиз классики, то можно не делать ссылки на отдельно проходившие треки из него чтобы люди не метались между темами..?

Яна Кэри обновлю с удовольствием, лучший трек из релиза и даже дабка у него хороша) а вот спектр... полоса меня не смущает, просто не люблю когда он такой "жидкий"... хотя ничего умного по поводу того плохо это или нет сказать не могу, это чисто визуальное восприятие к качеству звука врядли имеющее отношение))) и как бы то ни было раньше вообще проходил реконверт из вбр, частоты доходили до19тыс и полоса на 16ти была, а тут 320 и даже больше...) в общем, обновляю. Спасибо)

21.05.2011, 15:45

Ремикс от Яна крут спасибо)))

21.05.2011, 15:56

Цитата:

Сообщение от Chester_Rush


	так вроде же был уговор что если выкладываешь весь релиз классики, то можно не делать ссылки на отдельно проходившие треки из него чтобы люди не метались между темами..?

Не было такого. В правилах четко указано, если повтор, то тема закрыта, либо определенное вложение убирается с топика.

21.05.2011, 16:44

Обновил 1 и 6...обожаю эти треки...

21.05.2011, 18:00

на счет релизов классики сделано исключение. я действительно давал добро на заливку всех треков в один топик если релиз выкладывается целиком. можно в топике делать ссылки на треки не вошедшие в релиз..

21.05.2011, 18:21

Отличная работа.Спасибо!

21.05.2011, 23:07

замечательный целостный релиз.

21.05.2011, 23:16

Цитата:

Сообщение от Cobalt


	Whipped Creem Dub Mix лучший и он проходил: http://freshrecords.ru/showthread.ph...hlight=Whipped Трек был куплен. Спектры идентичны. По желанию можешь вставить ссылку на мою тему, но в любом случае убери из вложений данную версию.

Поддерживаю...
Релиз классический, версия от Carey смак) Спасибо)

22.05.2011, 00:32

Цитата:

Сообщение от SASS


	на счет релизов классики сделано исключение. я действительно давал добро на заливку всех треков в один топик если релиз выкладывается целиком. можно в топике делать ссылки на треки не вошедшие в релиз..

Тогда я сейчас поскачиваю треки с разных топиков и создам одну тему-релиз. Сасс, ты хочешь сказать это адекватно? Тоже самое и с данным треком! Абсурд. Вобщем ты просто защищаешь своего кореша и больше тут ничего нет. Правила вообще только для красоты в твоём разделе. Увы. Почти все темы полное "исключение" из правил. Так не делается.
Правила должны быть для всех одинаковы.